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Whether falling of the stage or falling off his bike, P.O.S probably puts a little too much of himself into everything he does. His live show is machine-gun patterns, flailing, and giggles. Occasionally a bloody lip. Usually his, sometimes yours. His production is like a field recording of a drunken blacksmith. Disjointed but compelling, because yo, what is dude making?
Much has been made of P.O.S’s punk rock past; the tattoos and piercings, the skater fashion, the high school pictures of young P.O.S. sporting a frohawk. Fact is, P.O.S is not a cross-over artist. He has been rapping as long as he’s been thrashing. His punk sensibility doesn’t make him less of a rapper, it makes him more of a musician. P.O.S fuses the angst and sincerity of punk rock with the bass, wit, and lyricism of underground hip-hop. On his first album, P.O.S raps, “We went from lower-lower class to lower class to upper-lower class.” And he is living his own tongue-in-cheek rags-to-sportier-rags story.
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